Criteria
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Your personal strengths
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Your group’s strengths
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Your personal weaknesses
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Your group’s weaknesses
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Body
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physicality during running scene
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Arm movements are better
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I can lack physicality when trying to portray weakness
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Actors can be sluggish-looking, not ceremonial like
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Voice
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Volume is good, good inflection
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Getting louder and louder each practice
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I can talk too fast when acting excited
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Jet and Austin can be too quiet, Austin could use a bit more
inflection
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Energy
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Good energy in beginning
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The last scene’s energy is almost where it needs to be emotion-wise
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feels as if I’m slowing down as play progresses
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Very low energy when actors
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Characterization
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Good child-like antics
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Mother is well-rounded, group, when at best, has great general
characterization
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When counting, characterization decreases
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When actors, characterization is not where it should be
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Rate
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Good rate when remembering to keep it
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Doctor scenes are much better
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Rate can be too fast when excited
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Austin can seem too slow
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Ensemble
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I feel as though Kenji and I work together well
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Mother and father’s relationship is growing
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I feel as though I lose touch with the actors at the end
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Actors don’t seem connected at times
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Consistency
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3.8/4
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3/4
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|
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About Me
I am 17 and attend South Columbus High. I'm an avid actor and wish one day to not only act, but to also teach students to act. Theatre has made me who I am today and has helped me to become more outgoing and take leadership in my life. This is what I want for my future students.
Tuesday, October 27, 2015
1000 Cranes Rehearsal Criteria
Thursday, October 1, 2015
Production Ideas for A Thousand Cranes
- While counting, to keep the beat and unison, there is a type of noise.
- In the scene when Sadako is sleeping, instead of the sleep-talking immediately happening, it seems as if Grandmother comes and tucks Sadako in. I think it makes a lot more sense.
Costumes:
Sadako

Kenji

Set:
WE CAN PAINT CHERRY BLOSSOMS WITH THIS METHOD
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