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Criteria
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Your personal strengths
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Your group’s strengths
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Your personal weaknesses
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Your group’s weaknesses
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Body
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physicality during running scene
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Arm movements are better
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I can lack physicality when trying to portray weakness
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Actors can be sluggish-looking, not ceremonial like
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Voice
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Volume is good, good inflection
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Getting louder and louder each practice
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I can talk too fast when acting excited
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Jet and Austin can be too quiet, Austin could use a bit more
inflection
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Energy
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Good energy in beginning
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The last scene’s energy is almost where it needs to be emotion-wise
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feels as if I’m slowing down as play progresses
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Very low energy when actors
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Characterization
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Good child-like antics
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Mother is well-rounded, group, when at best, has great general
characterization
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When counting, characterization decreases
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When actors, characterization is not where it should be
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Rate
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Good rate when remembering to keep it
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Doctor scenes are much better
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Rate can be too fast when excited
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Austin can seem too slow
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Ensemble
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I feel as though Kenji and I work together well
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Mother and father’s relationship is growing
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I feel as though I lose touch with the actors at the end
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Actors don’t seem connected at times
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Consistency
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3.8/4
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3/4
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About Me
I am 17 and attend South Columbus High. I'm an avid actor and wish one day to not only act, but to also teach students to act. Theatre has made me who I am today and has helped me to become more outgoing and take leadership in my life. This is what I want for my future students.
Tuesday, October 27, 2015
1000 Cranes Rehearsal Criteria
Thursday, October 1, 2015
Production Ideas for A Thousand Cranes
- While counting, to keep the beat and unison, there is a type of noise.
- In the scene when Sadako is sleeping, instead of the sleep-talking immediately happening, it seems as if Grandmother comes and tucks Sadako in. I think it makes a lot more sense.
Costumes:
Sadako

Kenji

Set:
WE CAN PAINT CHERRY BLOSSOMS WITH THIS METHOD
Thursday, September 17, 2015
Advanced Theatre/Assistant Teaching 2nd Two Week Summary
Advanced Theatre:
The week of September 8th to September 11th was spent blocking and testing on pages 10 to the middle of 15 in our play A Thousand Cranes. This past week of September 14th to September 18th was spent blocking and testing pages 15 to 19. Both of those weeks, the class focused on physicality, vocal development, and basically all other theatre requirements. Line memorization has been our biggest hardship. Inadequate line memorization leads to bad pacing with lines, which leads to awkward scenes because of confused physicality and so on. This is what we are trying to avoid.
Assistant Teaching:
Both last week of Sept. 8th-Sept. 11th and this week of Sept. 14th-Sept. 18th was working with the beginning students and their miming skills. The entirety of last week, Ms. Jones and I taught them front/side/ceiling wall mines. They incorporated those miming skills into a scene with no dialogue. Obviously they were not tested on voice but mostly physicality and ensemble. This week, we have incorporated combat mime into their scenes. The kids have had a bit of trouble with this. They can often end up punching/kicking in the profile position. This is where we introduced cheating-out. Their required combat mime actions were: punching in the face/stomach, and kneeing. Although they do enjoy combat mime is it difficult for them to fully grasp without doing it incorrectly. Lastly, even thought very little, we have tried to include pantomime in the scenes. Most silent scenes already had some type of pantomime included.
Thursday, September 3, 2015
Past Two Weeks Summary (Adv. Theatre and Assistant Teaching)
Theatre Arts Advanced:
In the past two weeks we have chosen a play for Play Fest called "A Thousand Cranes." We also casted the roles. I have gotten the lead, my classmate Emilee the secondary lead. We have blocked and memorized pages 5-9 so far and are testing tomorrow. Also for preparation and some background to the Hiroshima and Nagasaki bombings, we had to write a two person scene.
Assistant Teaching:
In Beginning Theatre we have started with physicality exercises. First, we tested them from the Improv Scene book and played some games that focused on concentration and physicality. This week have started focusing on physicality as well as conflicts and resolutions. But instead of using their bodies, they are only using their hands, which focuses their minds on being more physical. Tomorrow we will be testing their hand scenes.
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